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Showing posts with label Cynthia Leitich Smith. Show all posts
Showing posts with label Cynthia Leitich Smith. Show all posts

Saturday, December 8, 2018

Thank you, Indiana School Librarians!

When my first book came out, I'm not sure I appreciated how important state recommended book lists can be to a book's future. But they are!
Just when you think your novel's time in front of the world is simmering down, somebody finds it and adds it to a list of recommendations and just like that, new readers.

It's truly a terrific experience.

I am in awe of the librarians and teachers, parents and kids, who put these lists together.

Today I'm thankful to the hard-working school librarians in Indiana for adding MAKING FRIENDS WITH BILLY WONG to their list of Intermediate readers' recommendations.

Here's what they said about my middle-grade novel:


Azalea’s summer plans suddenly change when she is sent to Paris Junction, Arkansas to help a grandmother she doesn’t know. Shy and reluctant to talk to others, Azalea meets Billy Wong and finds an unexpected friend. 

 


HERE'S THE LINK to the list. 

I am proud and humbled to be included among some of my favorites and some I can't wait to read.

(If you're a writer interested in a list of various awards, check out CYNSATIONS, a blog filled with helpful information.)

Tuesday, April 17, 2018

Long-term Careers

Cynthia Leitich Smith's blog is a treasure, a gift for writers, readers, and especially aspiring writers.

Have you read this excellent series of posts from authors with long and productive careers?

You can find them all HERE. 

This morning, I caught up with a few.

HERE IS SOME of what K.L. Going says about changes she's seen. 

The last line of this passage is worth contemplating (the "bold" for emphasis is mine):


When I first started out, it was a big deal that I simply had a website. I had certain fun features I’d update periodically, but there was not any expectation that there would be new material every week or every few days. There was no Twitter or Instagram. It took very little of my mental energy.


(Beach Lane, 2017)
But over the years, social media venues have bred like rabbits and it’s hard not to get caught up in each new trail, not knowing which ones will pan out in the long run.

It’s too easy to spend all of your creative energy on coming up with clever or prolific posts instead of writing new books.

These days, there’s a much higher demand to do marketing well.

Also, feedback on your books comes instantly from many sources and it’s detailed. It feels personal.

In the past, there was a general sense of a book’s reception, but there wasn’t that kind of instant reaction from Joe Smith in Washington, D.C. who gave your book a certain number of stars.

General feedback is wonderful because it can help improve your writing skills for future books, but specific feedback can feel disproportionately important even when it shouldn’t really have any impact at all.

Saturday, February 17, 2018

Hooray for Billy and Azalea!


 So proud to have my newest book on the Pennsylvania Young Reader's Choice Awards list.

This is an excellent, eclectic, wonderful array of books. I've read and loved quite a few.

CLICK HERE to see them all.




PS to my writer, teacher, and librarian friends: There's helpful information about all the state lists, generously hosted by Cynthia Leitich Smith on her website, HERE.

Tuesday, March 5, 2013

Obeying the God of Storytelling

Always a good idea.

Rita Williams-Garcia, as quoted by her colleague, Elizabeth Partridge, on the Vermont College faculty blog:

Two favorite tidbits: She ran into a problem with a real life event she decided to put in her book at a different time than actually happened. She puzzled out how to explain her choice to us, then said,

  “You have to obey the God of Storytelling before Father Time.”
 
And another from Rita Williams-Garcia, via Cynthia Leitich Smith's website, on her very wonderful novel ONE CRAZY SUMMER:

The challenge was to write a novel with historical content but to not allow the Black Panthers to hijack the story from the central characters. There was so much research. So many historical comments to make, but I constantly cut away to stay within the heart and perceptions of character. Either I did it myself or my editor would ask me to do it later. 

(My mantra for today. Stay within the heart of the character. Or my editor will ask me to do it.)

Anybody out there with tips for staying within the heart of the story and your characters while struggling with real history?


 

Monday, November 14, 2011

Elvis and I

I won't go into my elusive career as an 11-year-old Elvis impersonator again. Everything you might want to know, but probably don't, is right here.

Because of my early fascination with The King, I knew I'd love Shelley Pearsall's book: ALL SHOOK UP. Only peripherally is it about Elvis, however. 




Here's the story.
Josh must stay with his divorced dad while his mom takes care of his grandmother. Dad lives in Illinois. Boy resides in Boston. Dad is the disorganized type. Mom super organized. Dad just lost his job. Mom knew nothing about this. Dad is now an Elvis impersonator. Josh is mortified.

That may be the story in a very small nutshell. It says nothing about the funny writing, the terrific voice, emotions, experiences of a 13-year-old boy thrown into complete disarray by something he has no control over. Or the wise, clever Ivory. And her friend Digger, the tree-hugging artist wearing a spiked dog collar. And Gladys. What a fabulous secondary character. Small part, large role.



Some of the things I adored about ALL SHOOK UP.
1. The use of Elvis appropriate tunes/ lyrics, as between-chapter breaks.
2. The tiny Elvises decorating the (bottom) page numbers.
3. The way Josh changes in the book.
4. Funny lines: ex. "As we headed down the hall, I could tell people were noticing that I was walking beside a girl who looked like an unraveling brown carpet..."

Thank you to the Cynsations blog where I first read about ALL SHOOK UP.

How had I missed this book and this writer? Now I'm looking forward to dipping into a few more by Shelley Pearsall. Another great boy voice, in a book with appeal to a wide age span and multiple reading types. Kids who loved Al Capone Does My Shirts, The Absolute Value of Mike, or Okay for Now should be handed this one for sure.

Thursday, June 30, 2011

Learn From the Best

Wendy Mass writes books kids love to read. I've followed her progress since she first stepped into the library where I worked with a reference question (she's a fellow Jersey Girl). I've have seen her books grow in popularity--Jeremy Fink= Major Motion Picture?--and I've been a fan since the very beginning.

While writing this blog, I clicked over to her blog and discovered the most fun thing! Wendy from A to Z. 
One of these days I may have to do this myself. I love her L thought, in particular.


Here's a bit of advice she gives to beginning writers, via the always interesting and helpful Cynthia Leitich Smith's blog:

Besides the usual advice to read, take classes, keep a notebook for story ideas, go to conferences, network with other writers, I'd say to tell the story you want to tell, the story that only you can tell. Don't give up unless it's not fun anymore.


Related post: Outlining or Not?