AScattergood: setting

Showing posts with label setting. Show all posts

Saturday, August 8, 2015

More Setting

Or maybe the title should be more ABOUT setting.

Goodness knows, I've blogged a few times about setting.

Just when I think I've got it figured out, I don't. Ever have that feeling?

Maybe I need a WORKSHEET.
Maybe I need a trip. Much as I love New Jersey, I could never set a novel for young readers here. Oh yes, we have our local color, but is it suitable for young eyes?

(seen at the local deli)

And we have great food! But it's not food from my childhood. In fact, my children never cared much for NJ specialties so how could I possibly write about them.

(This is a Sloppy Joe. If you have never lived in NJ, it takes some explaining.)

Where a story takes place is almost as important to me as who is telling the story. That's why I've been noodling around to see what others have to say on the subject. I don't want to overdo the Spanish moss, the lizards, the pimento cheese.

Here's what I'm learning- I'll share a few links:

I love what Barbara O'Connor says about HOLES.
And she's said many things about setting over the life of her blog.

I have a tattered old notebook on a shelf with a few quotes from my favorite books: On the Road to Mr. Mineo's, for example.
("lazy days of summer stretch out before them like the highway out by the Waffle House" says more than most people could say in 3 paragraphs.)

And there's this: http://www.writing-world.com/fiction/settings.shtml
Or this: http://writeitsideways.com/21-writing-prompts-for-setting-a-scene-in-your-novel/

Also in that notebook-
A great memory of the Writers in Paradise week with Ann Hood. I love #1.

A few notes:

In all writing, the focus should be right there at the beginning, in the first sentences. We should know where we are and what we are in for.

1. Picture sentences. Close your eyes. If you can't picture it, it needs help.
2. In non-fiction, use all the devices of fiction: dialogue, setting, character, action, climax, resolution.
3. Find a central metaphor (examples: knitting, fire), something that gives your story meaning.

Okay, writer and reader friends. Can setting be overdone? Does it limit the audience, especially in books for young readers? Do you have tricks to share with the rest of us? How exactly do you bring your scenes alive?

Sunday, February 8, 2015

SETTING: 101

Today I'm thinking about setting.

(I'll be musing even more about this topic when I share my new book on Wednesday, Feb. 11, at 7 PM at INKWOOD BOOKS in Tampa. I'd love to see you there!)

When I started writing THE WAY TO STAY IN DESTINY, I had just moved to Florida. I was a total Fish Out of Water. The flora and fauna mystified me!

Can you-- should you-- write about a place you've never visited, never lived, know nothing about? Well, here I was. Surrounded by setting.

I took a lot of walks and lots of pictures. I felt the Spanish moss, the prickly aloe plants, the fat green leaves where tiny lizards hid.

There were many houses that looked just like the Rest Easy Rooming House and Dance Studio!

And there were flowers everywhere.
Take bougainvillea.
On a walk near the library where I was writing, there it was. Gorgeous.

Look at those tiny white centers. Perfect- I'd never noticed them before.

There's a DO NOT ENTER sign at the footpath to this garden.
So at first I didn't see the fig tree.
Just like the one I grew up playing under, low and bushy.
Mine was a great hiding place.

But that day I saw figs. Not ripe figs, but figs.

Which reminded me to put a fig tree in something new I'm noodling.
There's already a garden in that story.
Where of course, there would be pots for raising cuttings, starting seeds, Pass-a-long Plants.
This one's not set in Florida, but in the South where everybody had a garden, many started from plants shared with neighbors.
Perfect.

So work on your settings, writers young and old.
Add that layer of richness, the color and the smells.