Somewhere in the deep dark past.
Okay, let me start over.
A few years ago when I was still a working school librarian, my fellow teachers and I had a lot of fun teaching together. One of my favorite things to do with the third grade was historical fiction. I dutifully taught them what exactly
was historical fiction. I had a very erudite definition, gleaned from some college professor. One of the requirements, so it seemed, was that the history surrounding the story happened at least 50 years ago. That was also what I'd learned in my study of children's literature, a few decades earlier. The students loved it. Fun times.
That was then. Fast forward to one of my favorite recent Newbery winners,
When You Reach Me by Rebecca Stead. Loved the book. Read it twice (at least). But historical fiction? Huh?
Turns out, maybe it is.
In her review on Goodreads, Betsy Bird considered the possibility:
Heck, you could even label this book historical fiction since it takes place in 1978-79. And not the fake 1979 that you sometimes seek invoked in bad television shows and movies either. This is an accurate portrayal of a time period when a person really could spend their days helping their mom prepare for a stint on the $20,000 Pyramid. A time when a girl could be handed books with pictures of spunky-looking girls on the covers... and subsequently reject them because they are not A Wrinkle in Time.
I mused over this very dilemma when I reviewed it for
The Christian Science Monitor, pondering what genre the book was. The story had no true historical events tied to it. But it
was set in the past. Turns out lots of folks were pondering that very topic, including
this blogger about historical fiction. She, like many of us, realizes that perhaps history is in the eye of the beholder. To children, that just isn't that long ago.
And now, from what I'm learning, you can make most anything "historical" if it happened before the reader was alive, or even aware. For kids, that would be anything pre-1990. Wow.
Check out an interesting blog discussion happening over at
Caroline Starr Rose's blog on the topic.
Carolyn Yoder, editor of a whole lot of historical fiction and someone I'd consider an expert on the matter says this:
At a recent Illinois writing workshop sponsored by the Society of Children’s Book Writers and Illustrators (SCBWI), Yoder encouraged all historical writers to make their stories real by anchoring them in time and place. Your reader should be able to tell when and where the story is set from the details you give. More than that, your story should not be able to happen anywhere or anytime else.
And here's a bit of what James Alexander Thom, in his book
The Art and Craft of Writing Historical Fiction says on the topic of
Is My Story Old Enough?
When you have a story in mind, you might ask yourself whether it's old enough to be historical. Among those of us who write of historical events, there's a joke. "The last eyewitness is dead at last! Now we can tell it the way we know it was."...
You'll decide if you're writing a historical novel if it seems "past" to you... It's history if you say so.
If a book has an "old fashioned" feel to it and is set in the 1950s or the 1970s or even the 1990s, say in a small midwest or southern town where they might
still say things like
bloomers and
what in tarnation-- can we call that historical fiction?
Shall we throw my old definition of historical fiction right out the window?
Related posts: Historical fiction?
and Historical Fiction, Maybe
Wendy Mass writes books kids love to read. I've followed her progress since she first stepped into the library where I worked with a reference question (she's a fellow Jersey Girl). I've have seen her books grow in popularity--Jeremy Fink= Major Motion Picture?--and I've been a fan since the very beginning.
